Doctor Faustus Essay -- essays research papers

Remind yourself of scene 5, lines 167 – 280 (pages 31 – 37 in the New Mermaids Edition) from â€Å"Now would I have a book†¦Ã¢â‚¬  to the entrance of The Seven Deadly Sins. (In some other editions, this section begins near the end of Act 2 Scene 5 and includes the opening of Act 2 Scene 1.) What is the importance of this section in the context of the whole play? In your answer you should consider: -The dramatic effects created by the Good and Evil Angels -The language used by Faustus and Mephastophilis. This section of the play has both an important structural and contextual role in Dr. Faustus. Leading the audience through his doubt and limitations, Faustus begins to realize that his potential for knowledge and power is not half as grand as he expected. This leads him into strong bouts of inner struggle, as shown by the appearance of the good and evil angels on stage. The forces of good and evil start to tear away at Faustus, and he begins the decline into his inventible tragic downfall at the end of the play. At the start of section, we see Faustus is beginning to use his powers to attain rare and elusive knowledge about our universe, forming elaborate demands, such as; â€Å"Now would I have a book where I might see all characters and planets of the heavens, that I might know their motions and dispositions†. Of course, the knowledge is granted, but appears to be enclosed in one single-volume book. Faustus sees this as a boundary – another restriction, on the pledge that was supposed to bring him ultimate rewards. He states; â€Å"O thou art deceived!†, realising the dissatisfaction, and what he has sacrificed. It could be said that Marlowe uses this anticlimax to warn the audience not to follow Faustus’ ways, emphasizing the fact that it can only bring superficial pleasures and shallow reward. The section is also characterized by the two appearances of the good and evil angels, which I feel play a significant role in the morality issues the dealt with in the play. Aside from signifying the persuasion into evil, the appearance of the angels also represents Faustus’ inner conflict, by exposing his gradual realisation that his actions have left him disappointed, and the fact that he cannot escape the religion within him. These scenes are vital to the play, and are used by Marlowe to present Faustus’ thoughts on stage. If seen in the context of a morality play, it could be ... ...stus is blind to the truth of repentance. And I feel at this moment, the audience truly realize that he can never escape this tragic spiral into damnation. Overall, we have seen how Marlowe uses this section of Dr.Faustus to present the tragic traits in Faustus’ character, and most importantly to highlight his flaws, and how they show the gradual failure of his plans. It deals with important contextual issues, such as the limitations and implications of over ambition shown in Mephastophilis blunt offerings – which Marlowe demonstrate the consequences of over-reaching yourself. It also presents us with the Morality play idea, by using the Good and Evil angels to present Faustus’ inner struggle of good versus evil, which he cannot overcome. Finally, Marlowe has also used the section to convey the traits of the Elizabethan tragic hero – in Faustus’ constant search for achievement, inability to recognise implications and failed plans. Ultimately, I feel the section is significant as it powerfully highlights these characteristics to portray the dangers of Faustus’ exploits, while evoking feelings of fear and tension with the audience towards the tragic climax at the end of the play.

How Work Is a Duty Comparing Two Poems

â€Å"Work is a duty†: Compare and contrast two poems you have studied in the light of this statement. It’s safe to say that â€Å"Toads† and â€Å"Toads Revisited†, both by Philip Larkin, have two very different viewpoints to work. Although written by the same poet, I feel they discuss the statement about ‘duty’ interestingly; both relay their points in a number of clever ways. Looking at â€Å"Toads†, in the perspective of the poet, we start to see that there is certain imagery in the poem that tells us a lot about the poets’ view on work.The fact that the poet effectively sees work as a â€Å"sickening poison† tells the reader he feels work, in essence, make us ill. To a certain extent we realise that Larkin actually despises work: seeing it not as a duty but as a corruption. This imagery of â€Å"poison† gives a very dark and sinister atmosphere. In contrast, â€Å"Toads Revisited†, also by Larkin, has th e opposite atmosphere and imagery. From line one of the poem (â€Å"walking around in the park†) we see that the mood is light, and therefore guess that the poem is in favour of work being a ‘duty’: Larkin uses happy and joyful imagery. The lakes, the sunshine, grass to lie on†. The way Larkin uses that sentence – â€Å"grass to lie on† – puts the reader in that relaxed and tranquil state of mind, perhaps the grass represents life and how it â€Å"should† feel good to lie back and not work; but somehow all this relaxation â€Å"doesn’t suit† the persona of the poem. Relating this back to the statement of how â€Å"work is a duty†, Larkin is trying to say (with his imagery in â€Å"Toads revisited†) is that we cannot call work a â€Å"duty† as it is not so, according to him. Instead it is a choice. I will further expand this point later on.Larkin goes on to describe tramps: â€Å"palsied old ste p-takers†. A â€Å"duty† is a legal or moral obligation to carry out an action, and from what Larkin displays here is interesting: how can we be obliged if we have the choice not to? Duty or not, tramps and the homeless, the unemployed and the benefit-misusers still exist to this day. Also in â€Å"toads† we see the image of homeless people when Larkin talks about â€Å"squatting†. The imagery of these types of people makes us see that the duty to work and having the choice to work are two very different things.With â€Å"Toads† it is similar, as we see the perspective of, what looks like, a working class man, we are presented the images of folk â€Å"living on wit†. It still seems that the persona of the poem sees work as a choice. Instead of people are obliged to work, the persona (Larkin) gives the impression that people are obliged not to work: â€Å"why should I let the toad work†, but yet they do have a choice to this day. Forgiv e me, but a rather humorous piece of imagery I picked up on was that of someone in a â€Å"squat† (Toads).Squatting could mean both homeless people looking for somewhere to settle, or it could resemble someone excreting (to be frank). This links to the work â€Å"duty† as it is sometimes called the same thing: I thought this was interesting. To be able to fully understand the views of both poems we must carry out analysis is several different ways. Another way of looking at this poem is in terms of its rhyme and rhythm or tone; and how this may or may not give the impression that work is a duty. With â€Å"toads† we notice a rhyme scheme called ‘half rhymes’: when a word sort of rhymes but doesn’t.For example â€Å"work† and â€Å"fork†; â€Å"soils† and â€Å"bills†; â€Å"poison† and â€Å"proportion†. The fact that the words almost rhyme could mean Larkin wants us to take note how things just arenà ¢â‚¬â„¢t quite right. Duty and choice comes back into play here: and here is where I think Larkin contrasts the two rhyming words in very interesting ways. He wants us to see that there is only a slight but significant difference in the way one is made to work (duty) and the way one chooses to work (choice). In â€Å"Toads revisited† the same thing occurs: â€Å"Park† and â€Å"work†; â€Å"noises† and â€Å"nurses†.This further illustrates the point of how duty and choice are only slightly but significantly different. In terms of rhythm, â€Å"Toads† resembles some very interesting ideas using it. For example, how Larkin says â€Å"lecturers, lispers, losels, loblolly-men†¦Ã¢â‚¬  it is not only a mouthful of words to say, but the rhythm is different, in this little phrase, (on the alliteration of L) to the rest of the poem. This resembles two things: how in our lives there are difficulties, which come at spontaneous moments, which we just have to surpass. And also, the words are a mouthful to say resembles how work is difficult and takes effort.This is further illustrated by how you can’t have â€Å"the fame and the girl and the money all in one sitting†. The representations and underlying meanings of the way both poems are written in terms of syllables/rhythm/rhyme show how because work is so hard, people choose not to do it. It is disagreeing with the statement, that to work is an obligation. There are various ways in which we can interpret these two poems, and compare and contrast these interpretations to the statement. I firstly interpret that in â€Å"toads revisited†, Larkin wishes to convey why it is he is in favour of working, and how he does/doesn’t portray it as a duty.Firstly, Larkin explains how not working is â€Å"not a bad place to be†, enticing the reader and making us falsely interpret his view (we think that he is taking a day off and thinking about how not w orking would be better). The poet tries to influence us about work, to some extent he does make it seem as if we are obliged to it: â€Å"turning over their failures†. This not only is a play on words (turn over, a word linking to economics and how if you work you will earn money), it also shows what will happen if you do not work: you will fail.In essence Larkin is making us see that working is a more of a duty than a choice, but still it is ones choice to work. In â€Å"Toads† we see Larkin presenting different ideas. Taking a very defiant view on work, he makes work seem more of something one should be ashamed of. He belittles it: â€Å"just for paying a few bills†. This quote I find highly interesting: its apparent Larkin recognises the point of working, but the persona in the poem does not. To this we are confused by: is Larkin purposely outlining work’s purpose (of paying bills) and disagreeing with them, just so we see it?To explain further, could the persona be saying â€Å"just for paying bills† as if he is against work, but actually he is saying this so that the point of working is to make money is raised? For â€Å"toads revisited† the ideas and interpretations are different: for now it seems that these are expressions of Larkin’s own views and attitudes to work. He is in effect dreaming about people working in the poem: â€Å"watching the bread delivered†¦Ã¢â‚¬ . Larkin does however recognise that it is hard to work, but he mentions how rewarding it is afterwards: â€Å"nowhere to go but indoor†. This is also a way in which the poet describes work not as a duty, but as a choice.But the balance is heavily pointed to being a duty, as an obligation to work is in essence the obligation to having a fun lifestyle simultaneously (â€Å"no friends†). Looking at the poems from a slightly different angle, the picture changes a fraction. Reading the poems in such a way to understand class s truggle at the time the poems were written, and to explore the conflict between the privileged and working class people, is called a Marxist view. The way the poet in â€Å"Toads† calls the working class â€Å"brutes†; and for the rest of the poem the working people go unnamed, as if they are not worthy of a name.This can tell us a lot about the social context, the fact that there was a lot of hate among the working and the privileged. It tells us how the persona from â€Å"toads† makes us see how the privileged looked down on the working class, as â€Å"toads† to some extent, as toads are small. If I have learnt anything during analysing, comparing, and contrasting â€Å"Toads† and â€Å"Toads revisited†, it’s that you can never be sure as to where exactly the poets views lie by just looking at the persona of the poem. We must break down the poem and transpose it to a more comprehendible structure before we even begin to.

Valuation of Integrated Oil Gas Companies Msc Thesis

MSc Thesis: Valuation of Integrated Oil Gas Companies Irakli Menabde Valuation of Integrated Oil Gas Companies A comparative analysis of methodologies and empirical practices MSc Thesis MSc in International Business and Economics: Cand. Merc Finance and Strategic Management (FSM) Copenhagen Business School Date 09/10/2008 Author: Irakli Menabde MSc Thesis: Valuation of Integrated Oil Gas Companies Irakli Menabde Abstract The paper examines a number of empirically utilised and academically established valuation methodologies in order to value Integrated Oil Gas Company’s common stock. By applying and comparing DCF, SOP and Real Options based valuation methodologies with the aims of establishing both, an†¦show more content†¦EMPIRICAL ANALYSIS.......................................................................................................40 4.1 DCF OUTPUT AND DISCUSSION.................................................................................................40 4.1.1 BP Plc DCF Model.......................................................................................................42 4.1.3 DCF Models Robustness Tests.....................................................................................44 4.2 SUM OF THE PARTS VALUATION ................................................................................................49 4.3 REAL OPTIONS VALUATION............... ........................................................................................50 4.4 ECONOMETRIC TESTS................................................................................................................55 4. CONCLUSIONSShow MoreRelatedRisk Mitigation Using Joint Venture Agreement in the Upstream Petroleum Industry15328 Words   |  62 PagesINDUSTRY (A CASE STUDY AND MODELLING APPROACH) BY SODE ADESOJI O. (51124473) AUGUST 2012 A Dissertation Presented In Partial Fulfillment Of The Requirements For The Degree Of MSc. International Business Energy And Petroleum At The University Of Aberdeen DECLARATION I declare that this thesis has been composed by myself, that it has not been accepted in any previous application for a degree, that the work of which it is a record has been done by myself, and that all quotationsRead MoreIntangible Asset Accounting and Accounting Policy Selection in the Football Industry85391 Words   |  342 PagesPOLICY SELECTION IN THE FOOTBALL INDUSTRY by NICHOLAS ROWBOTTOM A thesis submitted to the Faculty of Commerce and Social Science of The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Accounting and Finance School of Business Faculty of Commerce and Social Science The University of Birmingham July 1998 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectualRead MoreContemporary Issues in Management Accounting211377 Words   |  846 Pagesfacing modern organizations and present-day management thought as well as in the light of some of their historical dimensions. Other chapters deal with newly emerging concerns in management accounting, including network relations, digitization, integrated cost management systems, knowledge management pursuits, and environmental management accounting. Each chapter encompasses discussions of basic premises complemented by insights from modern-day practice, research, and thought. This approach makesRead MoreStrategic Marketing Management337596 Words   |  1351 Pagesof being market-driven has, in turn, been highlighted by a series of studies, including one amongst 600 managers in France, the USA, Germany, Japan and the UK, which found that ‘the single strongest influence on company performance is innovativeness. Further, a market-oriented company culture was found to have a positive impact in all five countries, while customer orientation, by itself, has virtually no influence on bottom line performance’ (Webster, 1999, p. 241). It is the recognition of this